Author Spotlight: Rebecca Colby
December 1, 2017
Today we introduce Rebecca Colby, author of many children's books, including her recent books, CAPTAIN BLING’S CHRISTMAS PLUNDER illustrated by Rob McClurkan (Albert Whitman, 2017) and MOTOR GOOSE, illustrated by Jeff Kaminsky (Feiwel & Friends/Macmillan US, 2017).
Be sure to enter into the giveaway for your choice of CAPTAIN BLING'S CHRISTMAS PLUNDER or MOTOR GOOSE: RHYMES THAT GO.
Tell us about your background and how you came to write for children.
Thank you for having me on Kidlit411 today!
My path to publication took much longer than I expected, but probably the average length of time for children’s authors. I’d written bits and pieces most of my life and I’d always dreamed of publishing a book but didn’t start writing seriously until after my eldest child was born, over twelve years ago.
As a baby, I read picture books to her before she could understand what I was saying. Every night I would read to her, and every night I would think, “I can write these books.” So finally I did. Except I had to write dozens and dozens of picture books before I finally sold one seven years later in 2013. It was a long apprenticeship, and not the quick path to publication that I thought it would be!
What projects are you working on now? Could you tell us about your new books, CAPTAIN BLING’S CHRISTMAS PLUNDER and MOTOR GOOSE?
Of course, and thank you for asking. I love juxtaposition and creating stories from two things that contrast and aren’t normally found together. That is how CAPTAIN BLING came about. I wanted to write a Christmas story with something you don’t normally find in a Christmas setting—in this case, pirates.
I also love rhyming picture books and using established, traditional poems as a pattern. I decided to write CAPTAIN BLING to the rhyme of ‘Twas the Night Before Christmas. Although I advocate plotting rhyming stories out in prose first, I simply ploughed ahead in rhyme with this story from the beginning.
Again, with MOTOR GOOSE, because I like writing to a pattern, I had long-decided to write my own version of the Mother Goose nursery rhymes but it took me a couple of years to find a subject to write about. Every year I participate in Tara Lazar’s Storystorm (previously known as PiBoIdMo), and every year I would write out a couple of ideas for a Mother Goose variation but none of my ideas excited me enough to start writing the rhymes.
In 2014, I realized I should choose a subject that is taught in early years’ education (at the same age when nursery rhymes are taught). Transportation, minibeasts and dinosaurs came to mind. After researching all three, I decided transportation would work best and wrote MOTOR GOOSE over four weeks in May 2015.
When is your next project due out? Can you tell us a little about it?
The next project has sold and I’ve just signed the contract, but until it is officially announced, I’m not at liberty to discuss it. All I can say at this point is that it’s another picture book in verse—one of the first ones I ever wrote--and one that is very near and dear to my heart.
What is your typical process for writing?
I spend a lot of time staring at blank pieces of paper. I started this bad habit as a teenager, falsely believing that I could channel a talented, deceased writer to do all the hard work for me. Sadly, this process never worked, so instead I pull an idea from my notebook and ruminate on it.
What I don’t do is push myself to write too quickly. I did this when I first started out and wasted more time than I thought I would waste by properly exploring the idea in my head first.
Instead, I sit and daydream. Or I go for a long, meditative walk. This is not a luxury I allowed myself when I began writing years ago. I felt all writing time had to be spent doing just that—writing, and getting words down on the page. But with time, I’ve realized the wisdom of ample thinking time in advance of writing.
What advice would you give to aspiring writers?
My stand-by advice is to never give up, and just keep writing.
Persevere. Network. Embrace rejections as part of your initiation.
Learn from as many people as you can.
And—here comes the harsh advice--stop making excuses.
We can all make excuses until we’re blue in the face, but if we really want something, we have the power to make it happen. I’ve used all the excuses listed below at one point or another and then found a way to work around them:
Lack of finances to take courses and conferences? Enter giveaways or apply for scholarships.
Lack of time? Get up earlier. Sleep less. Work on your commute or over lunch. Even if you write only one sentence a day, you should have a first draft written within a month.
You have no way to network with other writers and agents and editors? If you’re reading this interview, then you have some form of internet access. That’s all you need. Network online through forums like this and make virtual connections. That’s how I found my critique partners, and eventually my agent.
Too ill to write? Been there. It is hard. Again, some days I only wrote a couple of words, or didn’t write at all. But I did at least spend some of that time in bed sick thinking about writing so that once I was better, I was fired up and ready to go.
Blocked or lack of inspiration? Research appropriate writing activities or play a few writing games. Ideas are everywhere.
Just stop making excuses!
Where can people find you on the internet?
I can be found at one of three places: my website, Twitter, or Facebook. Here are the links for each.
Twitter: @amscribbler https://twitter.com/amscribbler
What is one thing people don't know about you?
According to my mother’s genealogical research, I am related to Laura Ingalls Wilder. My great, great, great, great, great, great, great, great, great grandfather, Samuel Colby, was the younger brother of her great, great, great, great, great, great grandfather, John Colby. Having grown up on her books, it thrilled me to hear this, although I appreciate it’s a very distant relation.
Before writing for children, Rebecca inspected pantyhose, taught English in Taiwan, worked for a Russian comedian, and traveled the world as a tour director. Born in America, she now lives in North Yorkshire in England.
Rebecca writes picture books and poetry, and is represented by Kathleen Rushall of the Andrea Brown Literary Agency. Her books include: CAPTAIN BLING’S CHRISTMAS PLUNDER (Albert Whitman, 2017), MOTOR GOOSE (Feiwel & Friends/Macmillan US, 2017), IT’S RAINING BATS AND FROGS (Feiwel & Friends/Macmillan US, 2015), and THERE WAS A WEE LASSIE WHO SWALLOWED A MIDGIE (Floris, 2014).